PlinkPlankPlunk

Many arts organizations have announced their 2012 – 2013 schedules. We’re going to have a lot to choose from! I’ve been busy updating Classicalendar.com with all the events. So far I’ve listed concerts for the San Antonio Symphony classical series, the San Antonio Chamber Music Society, the Mid-Texas Symphony, Olmos Ensemble, Tuesday Musical Club Artists series, Symphony of the Hills, and the Hill Country Chorale. I’m eagerly awaiting the Camerata San Antonio schedule.

Of special interest, the Chamber Orchestra of San Antonio is currently selling tickets for their inaugural concert. The concert covers an astounding range of music. As the website states:

The Perennial Contest will explore rarely experienced but engaging pieces that address the continuing debates among music and philosophy enthusiasts: tonality in music and the essence of being. Join us on October 26th for an evening of rich and exciting music that stirs the mind and invigorates the senses!

They’re setting themselves a high standard. I hope the performances can conform to the standard.

The San Antonio Symphony has released the schedule for the 2012 – 2013 series. The last few years I’ve used Tinderbox software to create an informative map of the works in the series. Click the map to open the larger, legible version:

SA Symphony 2012 – 2013

Andre Rieu in Concert

On October 18, 2011 at the AT&T Center a seismic musical event will explode in San Antonio. At least that’s the impression you get from fans of violinist and conductor Andre Rieu. Here is an excerpt from a review of a London concert in April 2011:

The whole place erupted with clapping whistling and shouting. People were on their feet and cameras were clicking. Any worries I had about Andre not getting a rapturous welcome were forgotten. Andre and JSO [Johann Strauss Orchestra] marched waving and smiling down the aisles towards the stage. Everyone knew they were in for a night of pure fun and wonderful music.
Andre looked magnificent and handsome on stage. Blue eyes shining. Wide dazzling smile. The music and applause died down and the audience was eager to hear what Andre had to say. Every ladies heart melted at the sound of his voice.

I’m a little puzzled by the Rieu phenomenon. There is a cult of personality, obviously. Rieu’s wardrobe, hair, and conducting style (conducting while holding or playing his violin) are all deliberate evocations of the 19^th century.  The artistry is sufficient for the material, but not exceptional. Rieu tends to turn most everything he plays into a sort of Johann Straussian bonbon. And if the music can’t be so conformed he doesn’t play it.  Australian reviewer Eamonn Kelly  commented on Rieu’s public and private demeanor.

Behind the scenes he is a bespectacled, conservatively dressed, mild-mannered Dutch businessman and a perfectionist with tight control over every aspect of the Rieu industry. On stage, he presents as a carefree spirit in full Strauss attire, overflowing with joie de vivre, spontaneity and playful informality.

The sheer spectacle involved in a Rieu concert can be outlandish. In his Rieu profile for Strings magazine David Templeton notes that Rieu doesn’t like anyone to refer to his concerts as shows. However, doesn’t this sound just a little over-the-top showy?

Perhaps what confused me was the massive, onstage replica of Vienna’s Schoenbrunn Castle, Rieu’s enormous traveling set that measures 410 feet wide, 100 feet deep, and 115 feet high. It comes complete with a pair of real ice rinks and a grand ballroom measuring nearly 900 square feet, all decked out with shimmering golden chandeliers, an authentic hand-painted ceiling, splashing fountains, and 14 carriages pulled by 36 horses.

I’ve loved the music of Johann Strauss II all my life and I really  don’t think it needs that kind of help. All artistic considerations aside, I’m sure the  upcoming concert at the AT&T Center will be a memorable show.